Friday, January 20, 2017

15 Y/O HAS RATED R EXPERIENCE WHAT HAPPENS NEXT WILL ASTOUND YOU

I don’t mean to write this as a dig at Catholicism or religion in any way. I don’t think ill be saying anything offensive about it, but if for some reason I say something that disturbs you please let me know. What I will be discussing are the effects of social depravation and scare tactics on naïve individuals (in this case a child/teenager) without an alternative authoritative influence such as a parent’s guidance or a group of relatable friends.
                  A Portrait of the Artist as a Young Man establishes perfectly in the first chapter the stirring pot for Stephen’s decent into self loathing and anxiety. Stephen is sent to a boarding school which isolates him from his family in some of the most important years of his development. Though the school he attended gave him few grievances, his peers bullied him, and in these years of vital development, transformed Stephen into a socially inept character. Because he was deprived of family influence, and friendship with his peers, his religion is the only thing he can pull his understanding of the world from. Since this occurred so early in his life, the effects of this isolation remain and fester with him well into his teenage years. Furthermore, because there is no alternate source that could explain the complex and confusing lessons he is taught, he develops a bizarre understanding of his faith and develops an obsession with sin and punishment.
(I think this interest may have stemmed from his relationship with justice at Clongowes. In what we have read so far, Stephen has a conscience preoccupied with the concept of sin and sinful thoughts, however until chapter three he has not considered the punishment, or justice for being sinful. The cyclic nature of the novel leads me to believe that Stephen will soon enough have to face the justice associated with the crimes he has committed against his faith.)
                  The obsession starts to wear on Stephen’s conscience especially heavily during chapter three when father Arnall describes the punishment he must endure for the what he has done. In this moment the culmination of his social issues, his feelings of guilt, and his pride in his knowledge clash to create some kind of totally devastating vortex for Stephen. He has no friends to confide in, he has no father to confide in, and he cannot possibly confess at his school!! He has all of these feelings that he has internalized after years of being isolated from the group that he can’t let them out when he really needs to. I believe that with the involvement of his guardians or his peers (or even the men working at his school who he has deemed inaccessible because of his status as the head of the Virgin Mary committee) he would have had a much more secular approach to life which could have prevented him from either committing his ultimate sins or feeling such an overwhelming guilt. Would that make Stephen less special? Yeah. Would that make the book less interesting? Yeah. But I think its important to try to think about why Stephen sometimes seems so weird to us.


Also unrelated but related, I watched a 45-minute documentary on Magdalene Asylums, which are orphanages for girls or “safe homes” for women who have given birth before marriage. The sorts of terrible things discussed in this documentary bring to light how central and controlling to society the Catholic faith was in Ireland in the 1900s: https://www.youtube.com/watch?v=nWKuGqtWDow