As someone who had not read Virginia Woolf before this class, I found the first reading incredibly difficult to follow. I dismissed a lot of the metaphors that she used but one statement struck me as odd: “…standing there at the open window, that something awful was about to happen…” Why would fields of beautiful flowers make Clarissa feel so anxious? It was such a peculiar conclusion to draw from the scene. I can understand a form of melancholy, but feeling like something bad is going to happen is a little more intense.
While I read further through the book, I forgot about Clarissa's statement. I didn’t think to draw the conclusion between Septimus and Clarissa’s window scenes. When my group was reading articles for our panel presentation, one of them emphasized the similarities between the first page of the book and Septimus’ suicide. (This was the article we presented btw)
How could Clarissa, at age 18, not yet in London, empathize with an action that has not yet transpired, but will effect her to an enormous degree once she hears that it has happened? It’s been stated in class that mysticism is a possible explanation for Clarissa’s profound reaction to hearing Lady Bradshaw’s mention of suicide. Is it possible that Clarissa is psychic?
I found other evidence throughout Mrs. Dalloway that could support this claim, but while gathering quotes and page numbers, my argument went from psychic ability (though I still see it as a possibility and maybe after reading this so will you) to investigating her talent of knowing people by instinct. A much more likely, though still a somewhat mystical, unexplained ability.
Why mention knowing people by instinct in the novel if it wasn’t going to hold some kind of significance? Could this instinct be how she was able to draw out Septimus’ death from just hearing of his passing? Her ability to see other’s personalities without spending a lot of time with them could be another symptom of her possible psychic talent.
Her knowledge of others may explain the quirky indirect exchange between Clarissa and Peter in which on page 35 Clarissa asks herself, “What would he think, she wondered, when he came back? That she had grown older? Would he say that, or would she see him thinking when he came back, that she had grown older?” Then, in almost an echo of her own thoughts, the first thing Peter thinks to himself when he sees her 4 pages later after years of being apart is, “She’s grown older, he thought, sitting down. I shan’t tell her anything about it, he thought, for she’s grown older. She’s looking at me, he thought, a sudden embarrassment coming over him…” The thought of age, the decision to not mention it, and then Clarissa’s ability to notice he’s thinking of her age and make him feel embarrassed is either a symbol of their closeness if youth or her ability to know people by instinct.
This of course could be a stylistic choice of Woolf, as a form of her humor, but it could also be a potential explanation to why Clarissa was able to be so shocked after hearing of Septimus’ suicide.
Her instinct still does not explain why she felt so dreadful in front of her window in Bourton so many years before Septimus fell to his death. Maybe calling it an instinct is the only way she knows how to describe her peeks into the future?