Tuesday, December 15, 2015

Like Mother Unlike Daughter

The two mother figures in Wide Sargasso Sea hold similarities and differences that add dimension Milkman’s character as well as providing insight into the demeanors of their daughters, who react to Milkman in nearly opposite ways. 
Milkman’s mother is presented first in the novel as a frail, battered woman who is desperate for affection. We see her breastfeeding Milkman far after the age that is seen as socially acceptable in a pathetic attempt at connecting with her son. From the beginning we see that her purpose is defined by Milkman and his wellbeing.  
Her image is frequently tarnished by comments on her prominent sexuality and sexual desire. Her interesting and incredibly vague moment with her dead father and the implications of her relationship with her father before his death gave Macon Jr an incredibly negative opinion of her. Later in milkman’s life, he would pursue a relationship with his cousin, but this relationship would not be as unwelcome as Ruth’s. 
Perhaps one of the more interesting aspects of Ruth’s impact on her children is on Lena. Ruth’s whole life once Milkman is born is to tend to him. She ensures that Lena and First Corinthians tend to him too. Once Milkman begins to seriously abuse his privilege we see Lena lash out at him viciously as not only a way to put Milkman back in his place, but as a sort of defiance of her mother. 
Her mother’s overprotective behavior elicits aggression just as Pilate’s indifference elicits obsession. 
This “role switching” is prevalent in Hagar’s pursuit of Milkman as well. Pilate understands that men in general are going to be unwieldy and difficult. We see her skillfully handle Reba’s boyfriend, however it shows how much she has had to deal with situations like that because of how clean the encounter was. Though Pilate is a caring and protective figure for Milkman, Pilate’s priorities are with her daughters. 
Hagar’s obsession with Milkman defies Pilate’s indifference and potentially drives Hagar further into madness as she knows she is going too far but can’t help it. 

It’s interesting how much all of the characters affect each other in this novel and I wonder what other connections we may be missing, but it was especially interesting to me to see these two demeanors take opposites. It’s a lot like the common trope in TV and movies where the teenager is trying as hard as they can to not be like their parents. 

Friday, December 11, 2015

Antoinette's Claim 2 Fame (Open Genre Project)

Hey guys! Mr. Mitchell advised that we post our open genre projects on our blogs if possible, so that’s what I’m gonna do. I can also talk through my reasoning a little more clearly here, since I got a little hot (those lights man) and nervous in front of the class. 
The first piece I presented should be posted below. 

What I chose to depict is Antoinette’s fight scene with Rochester after she returns home and locks herself in her room after Rochester so scandalously cheated on her, pushing Antoinette into a drunken rage. Woo hoo!
I started this one on Sunday. I intended to be true to the text 100% to make it super authentic. Unfortunately I quickly realized by sketching some poses that Antoinette’s face would not be fully visible if she were to bite his arm in a still image. Rochester would be in front of the “camera” or Antoinette’s body would be in the way. No matter how you sliced it, I wasn’t going to be able to draw her biting his arm if I was going to emphasize her expression & give this piece some much needed emotion. 
So I painted and I painted, settled on the idea of Antoinette biting his ring finger. To bite the finger that holds his wedding ring would symbolize the emotional destruction of the marriage that was solidified in this scene.  
As 10pm on Thursday grew nearer, I decided it would be a pretty good idea to start drawing in the arm Antoinette would be chowing down on. (A very important part of the image!) Unfortunately, I had left too much space between Antoinette and the un-seen Rochester. To have an arm sticking out from the left side of the painting would be super awkward and sad. 
I did not want to draw in rochester because he would not only take way too much time, but he would likely cover a lot of the hard work I did in the previous days. He would also cover the light source and he would probably screw up the color palette I had going for me so I just cropped the image I had and emphasized the most important part of the scene. 

I’m actually pretty satisfied with the final product. It had a lot of room for improvement but it is unsettling and emotional enough for my tastes so I’m happy!